Are There Foreign Rights in Your Midst?
If you are trying to do this yourself, be careful you aren’t giving away too much. Believe me, it’s easy to do. And personally, I have only worked with my agents in handling foreign rights. English is my language—not Chinese, Arabic, German, French or Korean—all places my books have been published in. In fact, 16 different countries. I’m not picky about foreign language rights: I want the foreign publishers to be able to make enough money off it that they’ll work on promoting it, which will sell more of the English copies. It’s why I use an agent to represent me.
I’ve learned that whatever moneys I get up front will basically be all that I see. Tracking sales is a mission impossible. Although I have to share, I was quite amused when Saudi Arabia came back and renewed a contract with more money for my book The Confidence Factor—a book written by me, for women about self-confidence. Now, I smile when I think of women there driving. Wonder if they have my book?
Read Foreign Rights Agent Bob Erdmann’s excellent article below—he’s placed me in those 16 countries.
THE IMPORTANCE OF FOREIGN RIGHTS
TO THE BOTTOM LINE OF AN INDEPENDENT PUBLISHER
Maximizing Your Number One Asset
By Bob Erdmann
The most successful publishers and self-published authors I’ve worked with in my four+ decades in book publishing have been those who understood that (1) publishing is a business, not a hobby; (2) have been tireless promoters of their books; and (3) fully realized that a book should be considered as a financial “asset” and as such it should gain the largest return on investment as possible. Number 3 means fully maximizing multiple revenue streams from that asset and a very meaningful revenue stream, and one that is minimally cost intensive is foreign rights. That’s right, minimally cost intensive! The foreign publisher bears all the costs involved and pays you for the right to translate and publish your book in their country. That’s a pretty good deal, a “no-brainer”, right?
OK, you’re probably wondering “what’s this all about, how does it work?” It’s really pretty simple. Foreign publishers worldwide are aggressively seeking books to publish. More often than not, work by quality authors is simply not readily available in their countries so they seek acquisition of licensing rights to books already published in other countries, especially America. You, the American publisher (or self-published author) license the right to a foreign publisher to reprint, market and distribute your book in either English in English speaking countries, or translated into a foreign language in non-English speaking countries. The entire cost to do this is borne by the foreign publisher, who pays you an advance and royalty for this licensing right. This is found money for you and a very simple way to create a significant revenue stream from your financial asset—your book—thus helping to maximize the return on your investment.
Book publishing is now on a very fast track which makes the smaller, independent publisher vulnerable to the whims and fancies of a very fickle industry. Barnes & Noble and Borders will be the first to tell you that if your book doesn’t sell very, very quickly they won’t be carrying it much longer than a cup of coffee. The same is true with Ingram and Baker & Taylor, or your distributor if you use one. As a wise investor, you need to diversify your financial assets. Build a foreign rights revenue stream to protect your number one asset!
What is the market? Simply stated, there are tens of thousands of foreign publishers in nearly 400 countries. They are looking for books that will “travel”, meaning that the content will be applicable to their country as well as the United States. Too many references to American people, places, institutions, culture, etc. will not mean much to a reader in a foreign country. Books under 250 pages are perfect. A 250-page book in most European countries would swell to more than 330 pages, thus negatively affecting the production costs, retail price, and ultimately reducing potential sales. Conversely, a 250-page book in most Asian languages will shrink to under 175 pages because of the efficiency of the languages. The hottest categories always seem to be business, psychology/ self-help and other nonfiction subjects. But the foreign publishers are looking for books with specificity in those subjects, not just another “ho-hum, me-too” book. It’s not enough for a business book to say “managing your business is a good idea”, the book needs to say specifically how to do it, and preferably with a unique angle. The countries that seem to be the most active recently are, but not limited to China, Russia, Korea, Japan, Indonesia, Thailand, India and most of the eastern European nations.
You must make a commitment to foreign rights as an integral part of your publishing program. It doesn’t work to simply put your toe in the water once and decide if you like the temperature or not. I like to say that “it’s a marathon, not a sprint.” It’s not your one attempt, or your one deal, that creates a successful foreign rights program and consequently maximizing your investment. It’s the aggregate of frequent attempts and the many deals that will result from those attempts. I have clients in my annual Frankfurt/Foreign Rights Program (http://www.bob-erdmann.com/foreign-rights.html) who, after only two or three years participating, have contracts with 8 or 10 or 14 different foreign publishers for a single book. Anyone deal is nice, but multiply that one book times 8 or 10 or 14 and the additional revenue from that asset is quite significant.
The Frankfurt International Book Fair is acknowledged as the world’s main and most important venue for foreign rights. It’s the granddaddy of them all! If you had to choose only one book fair for your book(s) for foreign rights sales, Frankfurt would be the well-informed, unanimous choice. Housed in ten buildings (many three stories tall) it’s thirty times larger than the London Book Fair and almost fifteen times larger than BookExpo America. And most important, it’s one-stop shopping. The nearly 400,000 publishing people from every corner of the world who attend the Frankfurt Book Fair are there for one reason only….to buy or sell foreign rights.
How much revenue can you expect? That, of course, varies. It could be a little or a lot. The value will vary from country to country and from book to book. And the long-term value depends on how well it sells in a given country, just like in America. I have represented books in my Frankfurt/Foreign Rights Program (http://www.bob-erdmann.com/foreign-rights.html) that have proven to be huge successes. An exceptional success I like to mention is the time one of my clients, a self-published author, received his first royalty check for $750,000 for the initial six-month period from a Korean publisher. The other extreme is that I have had books in my Program that earned no royalty beyond the advance. Again, just like in America, it depends on how well your book sells. The foreign publisher wants your book to be successful, perhaps even more than you do. He will make every effort to accomplish that goal since he will have a substantial financial investment in his edition of your book since he will have already paid you an advance and incurred production, printing and marketing costs.
So treat your book as a financial asset, diversify your investment to protect your interests, and search for those other potential revenue streams. Why not begin with a risk-free, minimal cost, foreign rights effort.
Publishing consultant Bob Erdmann is a four-decade veteran of book publishing. He served two terms as president of Publishers Marketing Association (PMA) where he created many of its current popular programs. He has successfully negotiated more than 3,000 foreign rights sales for participants in his annual Frankfurt/Foreign Rights Program. For information go to (http://www.bob-erdmann.com/foreign-rights.html) or call (209) 586-1566.
The Book Shepherd ™